Diana Al-Hadid creates large-scale sculptures and installations that merge bodily forms with collapsing altars, columns, and other architectural forms. Headless bronze figures in repose appear to drip down concrete blocks, while organs surround fictional players like beautiful beasts. In each, the Syran-American artist references archaeological remains, creating ghostly figures that reference the ruins from societies past. In addition to traditional sculptural media like bronze, steel, and concrete, the artist also incorporates more experimental materials like beeswax, fiberglass, and foam. “For me to get a sculpture to lift off the floor…that’s the first way to rebel,” Al-Hadid explained about her gravity-defying work in an Art21 interview.
The Brooklyn-based artist has concurrent Nashville-based exhibitions at both the Frist Art Museum until September 2, 2019 and Cheekwood Estate&Gardens. You can see more of Al-Hadid’s sculptural work on her website and Instagram. (via Hi-Fructose)
“Synonym” (2016), Polymer modified gypsum, fiberglass, powder coated aluminum, pigment, 83 x 60 x 60 inches, Edition of 5, with 1 AP
“Suspended After Image” (2012), Wood, steel, polymer gypsum, fiberglass, high density foam, plaster, paint, 126 x 282 x 204 inches
Detail of “Synonym” (2016), Polymer modified gypsum, fiberglass, powder coated aluminum, pigment, 83 x 60 x 60 inches, Edition of 5, with 1 AP
Detail of “Antonym” (2012), Steel, polymer gypsum, fiberglass, wood, foam, paint, 68 x 63 x 54 inches
Detail of “In Mortal Repose” (2011), Bronze and concrete, 72 x 71 x 63 1/4 inches
Installation view of “Falcon’s Fortress” at Boesky Gallery, (2017), Photography Credit: Object Studies
Detail of “A Measure of Ariadne’s Love” (2007), Mixed media 84 x 108 x 96 inches
“A Measure of Ariadne’s Love” (2007), Mixed media, 84 x 108 x 96 inches
Installation view of “Phantom Limb,” NYU Abu Dhabi Art Gallery, 2016
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