Zadig & Voltaire to auction “Death in America” items at Christie’s

0
64
Steven Parrino, Death in America No 1 (800m-1.2m USD)
With this type of packed catalogue of works to sell in may, its a wonder to discover that Christie’s has still one extra assertion for the season. This time it’s far a group of typically modern art owned by Thierry Gillier, the founding father of Zadig & Voltaire, who is promoting 46 plenty to advantage Leonardo di Caprio’s basis and Oceana’s united states Shark Conservation software. The pinnacle lots, accounting for 1/2 of the collection’s $20m value are Rudolf Stingel graffiti work and a late Picasso buste de femme, each expected around $5m give or take.
STEVEN PARRINO, DEATH IN AMERICA NO 1 (800M-1.2M USD)
Highlights from the collection include works by means of Maurizio Cattelan, Donald Judd, Richard Serra, Sterling Ruby and Christopher Wool. Steven Parrino’s paintings offers the collection its identify and comes to market just because the artist has acquired a show in Dallas.
the gathering can be represented by way of eleven works in the may 17 night Sale, and a further 35 masses in the might also 18 Afternoon Sale. collectively, this group is anticipated to recognize in extra of $20 million.
the gathering is named for Steven Parrino’s, demise in the united states #1, 2003 (estimate: $800,000-1,2 hundred,000), a pivotal work for the iconoclastic artist, following a turning factor in his profession.
Zadig & Voltaire, acknowledged around the world for its effects cool brand of Parisian rock sublime, shares within the rebellion soul of the various artists in this selection. even though their inventive missions are diverse, a experience of radical innovative (re)vision is not unusual to the tough, pioneering Minimalism of Donald Judd to the firebrand sensibilities of americaFischer and Maurizio Cattelan, or Rudolf Stingel, whose Untitled, 2012 (estimate: $4,500,000-five,500,000) – enshrines brief graffiti as gilded artefact, reminding the viewer that the tattooed grit of the town is never some distance away.
As founder Thierry Gillier and his wife, creative director Cecilia Bönström are nicely conscious, confronting conventional flavor can unencumber thrilling new avenues of expression. Their label gives a imaginative and prescient of conventional simplicity infused with rock-and-roll spirit that is in perfect sync with their way of life, philosophy and artwork series.
An enigmatic spotlight is Maurizio Cattelan’s Untitled, 2007 (estimate: $one million-1,500,000) – a startling lifestyles-length sculpture that ranks a number of the artist’s maximum powerful and iconic creations. A woman in a nightshirt hangs with her back to the viewer and her face hidden, palms outstretched as though crucified. She is packed in an open crate: her limbs and torso are supported through padded plywood restraints, and the field is coated with tissue paper. With a pointy eye for the unforgettable pix,
The work has its genesis in a 1977-78 self-portrait through Francesca Woodman, which captures the young photographer placing from a doorway in Rome. Cattelan recreated this enigmatic image as an uncannily realistic sculpture, first shown at Austria’s Kunsthaus Bregenz in 2008. previous to installation he occurred to see the parent secured face-down in its shipping crate, and the work’s modern-day iteration become born. In her packaging the lady seems straight away covered and imprisoned, both tortured martyr and enshrined art object.
ay in Rome. Cattelan recreated this enigmatic image as an uncannily realistic sculpture, first shown at Austria’s Kunsthaus Bregenz in 2008. Prior to installation he happened to see the figure secured face-down in its shipping crate, and the work’s current iteration was born. In her packaging the girl seems at once protected and imprisoned, both tortured martyr and enshrined art object.