Mexican calligraffiti artist Said Dokins combines calligraphy writing with graffiti techniques to create public murals that address conflicts of power, destruction, and control imposed by both historic and contemporary regimes. His latest project, Heliographies of Memory, uses luminous tools to explore displaced memory, creating light paintings that use famous historic buildings or other iconic sites as temporary backdrops.
“‘Heliographies of Memory’ consist in a series of photographs that capture the calligraphic gesture, the very moment where the action of inscription is taking place,” said Dokins. “…The texts are written with light, so the words disappear as soon as they were suggested by the moves of the calligrapher, invisible to the simple eye, they just can be captured by a process of long-exposure photography, that reveal what happened, even though no one could see it.”
Dokins collaborates with photographer Leonardo Luna to capture each of his ephemeral interventions. Together they opened the 2017 OASTRALE Biennale of Contemporary Art in Dresden with a choreographed calligraphy presentation.