Art Basel Paris announces more than 200 exhibitors for its 2026 edition. | Artsy

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Art Basel Paris Sets 2026 Dates as Grand Palais Return Brings Record Joint Booths

Art Basel Paris will return to the Grand Palais from October 23 to 25, 2026, with preview days on October 21 and 22 and Avant Première on October 20. The fair said the edition will gather more than 200 galleries from 41 countries and territories, including nearly 30 first-time participants, underscoring Paris’s growing pull as a global market hub.

Karim Crippa, who was named director in October 2025, is steering the fair into a year that emphasizes both scale and experimentation. One of the clearest signs of that approach is a record 12 joint booth presentations, a format that suggests galleries are increasingly willing to pool artists, audiences, and curatorial ideas rather than compete for attention in isolation.

Among the collaborations, Michael Rosenfeld Gallery and Jeffrey Deitch will present works by Beauford Delaney and Alteronce Gumby. Tina Kim Gallery and Take Ninagawa will join forces on presentations of Pacita Abad, Kim Lim, and Ha Chong-Hyun. The fair’s Emergence sector, dedicated to solo booths by emerging artists, will include 16 presentations, 12 of them from first-time participants. Artists highlighted there include Drake Carr, Asma Belhamar, Anna Clegg, and Thảo Nguyên Phan.

The Premise sector will look back at historic works by Vera Molnár, Derek Jarman, Tarsila do Amaral, and Farid Belkahia, offering a counterpoint to the fair’s emphasis on new voices. Public programming will be organized with Parisian institutions and supported by Miu Miu, extending the fair’s reach beyond the Grand Palais and into the city’s museum and exhibition network.

The announcement arrives as France’s art market continues to strengthen. According to Art Basel and UBS, sales in France reached $4.5 billion in 2025, a 9% increase from the previous year, placing the country fourth globally. With Frieze Week in London once again preceding the Paris fair, the autumn calendar is becoming an increasingly concentrated test of how major cities shape the international art market.

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