Categories: News

In Pictures: DALL-E Makes Its Gallery Debut in a Show Where All the Works Were Created With an Assist From A.I.

From now through December 29, Bitforms Gallery presents “Artificial Imagination,” an A.I. art group show it’s calling “the first DALL-E-inspired art exhibition.”

The intergenerational, eight-artist show opened at Bitforms’s new permanent home in tech-friendly San Francisco in October, in partnership with Day One Ventures. The venture firm got OpenAI, the creator of DALL-E, onboard to promote the showcase, though Bitforms itself boasts a two-decade-long record in staging new media art exhibitions.

While DALL-E serves as the show’s jumping off point, “Artificial Imagination” hardly stops at the now-ubiquitous text-to-image tools. “It was really about DALL-E being the lead-in to the show and then showing how other artists are utilizing A.I. in their practice,” Steve Sacks, the founder of Bitforms, told Artnet News.

The participating artists range from buzzy digital creator Refik Anadol to tech exec and developer Suhail Doshi, who created his first-ever artwork for the exhibition. MIT-trained roboticist Alexander Reben is showcasing work he produced by using a custom GPT-3 model by OpenAI to process and re-process text until he achieved an intriguing starting point for an actual sculpture. “It was a complete flipping of the creative process,” Sack observed of Reben’s work.

“Artificial Imagination” also proposes new avenues into physical presentation. One of Marina Zurkow’s A.I.-animated scenes is available on Hahnemühle bamboo, while Ellie Pritts’s work is projected at 10 feet tall. Each piece is available with an NFT option, tailored to make sense for each artist’s practice.

The display of A.I.-generated works naturally engenders that age-old question: is it art?

For Sacks, the skepticism that has greeted A.I. tools is on par with the initial resistance to photographic or video technologies. “There always seems to be controversy when advanced tools come out and artists take advantage of them,” he said. “You can make a beautiful image or an interesting image using DALL-E, but that doesn’t mean you have a large body of work.”

See some views of the show and the featured works below.

Installation view of “Artificial Imagination” at Bitforms Gallery, featuring Refik Anadol, (2020) and Alexander Reben, (2022)

 

August Kamp, (2022).

 

Refik Anadol, (2020).

 

Fang Yuan, (2022).

 

Suhail Doshi, (2022).

 

Siebren Versteeg, (2022).

 

Marina Zurkow, (2022) Digital image

 

Alexander Reben, (2022).

admin

Recent Posts

A pure symbiosis “PERFECT STORM” by Fridriks and Kaláb flourishes

with beautiful art and personal endeavors  Venturing into unknown territory, artists Katrin Fridriks and Jan…

4 hours ago

Pushing the Boundaries of Artistic Expression with Twilight’s Tapestry: Traces of Time and Color

Pushing the boundaries of artistic expression, visionary artist Melissa Herrington’s large-scale, abstract paintings blur the boundaries between mediums,…

20 hours ago

Alexandre Iakovleff: A Multifaceted Artist and His Journey Through Art

Alexandre Iakovleff (1887-1938) - famous Russian painter, graphic artist, master of drawing, portraitist, author of…

3 days ago

Danish Artist’s Baroque-Style Circus of Animals is Back in the U.S

Drawing inspiration from a wide breadth of sources, including ancient mythology, fairy tales and fables,…

2 weeks ago

Sena Kwon Shapes the Research Realm with Insightful Figures

It is irregular for illustrators to work alongside research and development industries, such as public…

2 weeks ago

Exhibited for the First Time in the U.S. – New Sculptures by Bjørn Okholm Skaarup {April 4 – May 15}

Beginning Thursday, April 4 and running through Thursday May 18, Cavalier Gallery is pleased to present the…

2 weeks ago