Amidst the artistic cornucopia that is the 57th Venice Art Biennale, where apart from the main venues of the Arsenale and the Giardini, every palazzo, campo and basilica is a potential gallery, resulting in sometimes overwhelmed visitors in need of a little guidance as to which exhibitions not to miss. One such exhibition is “One and One makes Three” at the Basilica di San Giorgio Maggiore, a retrospective exhibition of internationally recognized Italian artist Michelangelo Pistoletto. Realized with the support of Galleria Continua, in collaboration with Abbazia di San Giorgio Maggiore – Benedicti Claustra Onlus, and covering the entire era of his creative oeuvre, from the early 60s to his most recent works, the exhibition showcases bothPistoletto’s evolution as an artist and his modus operandi where art is an act of intervention, liberation and social exchange.
A key figure in the development of conceptual art and protagonist of the Arte Povera movement, Pistoletto gained international acclaim in 1962 with his “Mirror Paintings”, a series of works made out of a sheet of stainless steel, polished to a mirror finish, onto which an image is applied. Hung flat on, or slightly above, the floor, the “paintings” create a doorway that allows communication between art and life through the reflections that place the viewers into the artworks, thereby demanding their participation.