South African photographer and activist Zanele Muholi creates striking self-portraits for their series Somnyama Ngonyama, which means “Hail the Dark Lioness” in Zulu. The black and white images elevate everyday objects like clothespins, sunglasses, and wire sponges into elaborate hair pieces and costumes that speak to radical identity and resistance. The extensive series of portraits has recently been compiled into a monograph by Aperture, which contains a conversation with London-based curator Renée Mussai, in addition to more than twenty contributions from writers, curators, and poets.
Ninety powerful representations of the visual activist occupy the pages of Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness, which acts as both an autobiographical work and a compendium of resistance. In response to the book’s release Muholi states, “I am producing this photographic document to encourage individuals in my community to be brave enough to occupy spaces—brave enough to create without fear of being vilified. . . . To teach people about our history, to rethink what history is all about, to reclaim it for ourselves—to encourage people to use artistic tools such as cameras as weapons to fight back.”
Muholi has documented black lesbian, gay, bisexual, transgender, and intersex people throughout South Africa for the past decade. They are the cofounder of the Forum for the Empowerment of Women and founder of Inkanyiso, a forum for queer and visual media. Muholi currently lives and makes work in Johannesburg, South Africa, and is an honorary professor at the University of the Arts Bremen, Germany. You can see more of their portraits on Yancy Richardson Gallery’s website.
“Ntozakhe II, Parktown, Johannesburg” (2016), © Zanele Muholi, courtesy of Stevenson Gallery, Cape Town/Johannesburg, and Yancey Richardson Gallery, New York
“Senzekile II, Cincinnati” (2016), © Zanele Muholi, courtesy of Stevenson Gallery, Cape Town/Johannesburg, and Yancey Richardson Gallery, New York
“Kodwa I, Amsterdam” (2017), © Zanele Muholi, courtesy of Stevenson Gallery, Cape Town/Johannesburg, and Yancey Richardson Gallery, New York
” Basizeni I, Amsterdam” (2016), © Zanele Muholi, commissioned by and courtesy of Autograph ABP, London
“Zithulele, Worcester, South Africa” (2016), © Zanele Muholi, courtesy of Stevenson Gallery, Cape Town/Johannesburg, and Yancey Richardson Gallery, New York
“Faniswa, Seapoint, Cape Town” )2016); © Zanele Muholi, courtesy of Stevenson Gallery, Cape Town/Johannesburg, and Yancey Richardson Gallery, New York
