CAVALIER GALLERY PRESENTS DARK, AN EXHIBITION OF BROADWAY-INSPIRED PHOTOGRAPHS BY MARK S. KORNBLUTH

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Mark S. Kornbluth Richard Rodgers, Ed. 3, 2020 archival pigment print on Canson 60 x 66 in.

DARK is the first solo exhibition in Cavalier Gallery’s new space at 530 W 24th St.

February 2023, New York, NY —Cavalier Galleries is delighted to announce DARK—a solo exhibition of Mark S. Kornbluth’s photographs of Broadway theaters during the pandemic closure. The series comprises large-format photographs of dozens of New York City theater exteriors, a majority of which will be on display in the exhibition. Images of the Ambassador, Barrymore, Booth, Eugene O’Neill, Imperial, Lunt Fontaine, Lyric, Music Box, New Victory, and Richard Rodgers theaters are featured, among others. Broadway shows captured in the historical moment include The Book of Mormon, Hamilton, Hangmen, Harry Potter and the Cursed Child, The Inheritance, Moulin Rouge, Who’s Afraid of Virginia Woolf? and TINA: The Tina Turner Musical. The exhibition opens Thursday, March 2, with an artist reception from 6–8 p.m., and runs through Saturday, April 15, 2023.

Mark S. Kornbluth
Booth, Ed. 10, 2020
Dye sublimated on aluminum
48 x 70 in.

In 2020 when Broadway stages went dark, New York City’s theater buildings lit up the quiet nights in a state of suspended animation. At the encouragement of a mentor, Kornbluth traded his 35 mm for a large format digital camera and began making pictures of as many theaters as possible. Access to one of the busiest places on earth was unprecedented, and he took dozens of images of each structure from the deserted streets, returning night after night until certain he had captured all he needed.

Kornbluth explains, “I started this series with the intention to dramatize the language and narrative in the signage, contrasted with the stillness of the mise-en-scène. Despite the sudden and lasting emptiness that the pandemic gave rise to, I discovered a delightful tension, a sense of Broadway waiting for the promise and renewal that art invariably brings. I’m deeply curious about relationships between objects, how emotions are rooted in time and place, and how to create the power of a shared experience.”

Mark S. Kornbluth
Majestic and St. James, Ed. 10, 2020
Dye sublimated on aluminum
48 x 64 in.

Kornbluth will tell you that he has always had a camera with him, for as long as he can remember, but that photography is not his only artistic love, just the one which continues to magnetize him. As a teen he secured an internship as a production assistant, converted that to an assistant stage manager role through ambition, a keen mind, and an infectious energy, and spent ten years in the theatrical arts—touring Broadway shows around the country, and working in film and television. He subsequently earned an MFA in acting and has studied a range of disciplines including art history, literature, psychology, and art therapy. It is no surprise then that his dramatic talents, wandering intellect, and insatiable curiosity find a home in the work of a fine art photographer. At once he is screenwriter, stage manager, director, and producer, an explorer of his world through the lens.

Working his artistic magic in post-production, out of many, Kornbluth creates one final image that encapsulates the poetry of a scene, preserving in his craft the mood of suspended animation and the romance of memory. In his own words, he “sculpts” the photograph from individual frames, using additions and subtractions to produce a finished work of art. “I love the way that the ambient light at night, billboards and streetlights became my studio lights, illuminating the grandeur that has always been, and remains unique to New York City,” the artist says.

Mark S. Kornbluth
Music Box 2, Ed. 10, 2020
Dye sublimated on aluminum
68 x 48 in.
Mark

There is not a single figure in Kornbluth’s theater images, yet they are deeply human. The series is a profound reminder of how acutely and uniquely one feels the presence of others in their absence. The relationship of the urban environment to the people who inhabit it, and the mutual impact of one on the other, is an idea that continues to inform the photographer’s work. Though Broadway has reopened, and the city streets teem with life once again, Kornbluth finds his inspiration in the silent spaces, the dead of night, and the interstitial moments, allowing us to see the unseen, encounter one another in unexpected ways, and consider our environments anew.

ABOUT CAVALIER GALLERIES

Mark S. Kornbluth
New Victory, Ed. 10, 2020
Dye sublimated on aluminum
48 x 50 in.

Cavalier Galleries’ history of serving the art world dates to the early 1960s when Ronald J. Cavalier, Sr. began pioneering new technology in the art foundry industry. In his six decades as a foundryman, Cavalier, Sr. cast and restored sculptures for collectors, corporations, artists, and museums such as The Metropolitan Museum of Art, the Hirshhorn Museum and Sculpture Garden, and the Museum of Modern Art.
 
In 1986, Ronald J. Cavalier, Jr. founded Cavalier Galleries, Inc., with a showroom and sculpture garden in Stamford, Connecticut. In 1994, Cavalier Galleries moved its flagship gallery to Greenwich Avenue in Greenwich, Connecticut, and in 2000, expanded with a second location in Nantucket, Massachusetts. Today, Cavalier Galleries has locations in Greenwich, Nantucket, New York City, and Palm Beach and serves collectors worldwide.
 
Cavalier Galleries offers fine painting, sculpture, photography, and mixed media works by emerging and established artists working in a range of styles.  Each of the four gallery spaces presents frequently rotating exhibitions exploring historical and contemporary themes or surveying the work of individual artists.  Cavalier Galleries organizes and maintains outdoor exhibitions of large-scale sculpture in Greenwich, Nantucket, and New York City. More information about gallery artists and current projects is available at cavaliergalleries.com.

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