The swan dress that Björk wore to the 2001 Oscars was exquisitely provocative, even by the singer’s standards, particularly when a large egg tumbled out onto the red carpet. Controversial at first, the design has now entered the pantheon of great red-carpet moments.
Made by the U.K.-based Macedonian designer Marjan Pejoski for the label K-T-Z, the dress is the headlining piece of the exhibition “Rebel: 30 Years of London Fashion,” set to open September 16 at the Design Museum in London.
Sponsored by the British brand Alexander McQueen—whose namesake shook up the museum scene in 2011 with his blockbuster “Savage Beauty” retrospective, first at the Costume Institute of the Metropolitan Museum, then at the Victoria & Albert Museum—the show features nearly 100 daring looks from the debut or early collections of young designers.
Other pieces in the show include a replica of Sam Smith’s inflatable latex suit—designed by HARRI’s Harikrishnan Keezhathil Surendran Pillai, son of a latex farmer in India—that they wore to this year’s BRIT Awards, Harry Styles’s Steven Stokey Daley outfit from his “Golden” music video, the upcycled Union Jack jacket by Russell Sage worn by Kate Moss for British Vogue, and a sprawling Molly Goddard ruffle dress that went viral when Rihanna sported it.
The exhibition is a collaboration between the Design Museum and the British Fashion Council (BFC) to celebrate the 30th anniversary of the BFC’s NEWGEN program, according to a statement. All the designers in the show were supported by NEWGEN in their early careers.
The swan dress was first unveiled at Pejoski’s NEWGEN runway show in London for fall/winter 2001, where it was spotted by the Icelandic singer, who nabbed it and, in addition to the Oscars, wore it on the cover of her album Vespertine. The now-iconic dress has only been publicly displayed twice before—both times in New York. Its inclusion in “Rebel” marks the very first time it has been seen in the U.K. and in the city where it was designed and created.
The exhibition is organized into three parts: Art School, which shows how London’s art education establishments have incubated individuality; Backstage Pass, where visitors can witness the frenetic moments just before a fashion show; and Runway, where visitors can join the front row of six major catwalk moments.
“Visitors are going to be stunned by many of the instantly recognizable fashion items on show,” said Tim Marlow, the Design Museum Director and CEO, “but we hope they’ll also be captivated by the breadth, depth, diversity, and world-class talent that has emerged from the London fashion scene in the past three decades.”
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