Italy Advances Legislation on Restitution of Nazi-Looted Art

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Italy Moves Toward Formal Restitution Process for Nazi-Looted Art

Italy’s parliament is advancing legislation that would create a formal path for returning art and cultural property taken under Nazi occupation and Italian Fascist racial laws, a move that restitution advocates say could close a long-standing gap in the country’s legal framework.

The proposal has been welcomed by the World Jewish Restitution Organization (WJRO), the Jerusalem-based nonprofit that works to recover Jewish-owned property across Europe. In a statement cited by the Jewish News Syndicate, Gideon Taylor, the organization’s president, said the bill offers “a historic opportunity to finally deliver justice to victims of Nazi and fascist persecution and their heirs.” He added that operational and legal details still need to be resolved as the measure moves through parliament.

The legislation carries particular historical weight in Italy, which was allied with Nazi Germany under Benito Mussolini during World War II. The article notes that the Nazis looted about 20 percent of Europe’s art, including property taken from Jews in Italy, and that more than 100,000 items have yet to be returned to their rightful owners.

The push also arrives against a sobering international backdrop. A 2024 study by the WJRO and the Claims Conference on Jewish Material Claims Against Germany found that, of 47 countries surveyed, only seven — Austria, the Czech Republic, France, Germany, the Netherlands, the United Kingdom, and the United States — had made “major progress” in restituting Nazi-looted art since the 1998 Washington Conference Principles on Nazi-Confiscated Art. The same report said Italy had made only “some progress” on looted cultural property over the past 25 years.

At a June 24 parliamentary meeting, Livia Ottolenghi, president of the Union of Italian Jewish Communities (UCEI), said the bill would help “fill a gap” by clearly establishing a right to redress in Italy, not only for lives lost and suffering endured, but also for the dispossession of artistic heritage. If enacted, the measure would place Italy more squarely within the international reckoning over Nazi-looted art — and the unfinished work of restitution.

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