More than 900 works of art and other objects entered public collections in the U.K. last year thanks to Art Fund, the non-profit dedicated to supporting galleries and museums in the country.
That was the major takeaway from the organization’s annual report for the 2022–23 fiscal year, published this week. During that time, the organization doled £8.4 million ($10.6 million) in grants, £4.5 million ($5.7 million) of which went towards acquisitions.
Those figures mark a return to pre-pandemic benchmarks for the 120-year-old charity. In 2019, for instance, the organization gave a comparable £4.7 million ($6 million) for the acquisition of some 970 works.
“It has been heartening to hear from our 850+ museum and gallery partners that green shoots of optimism are emerging after a difficult few years,” said Jenny Waldman, Art Fund’s director, in a statement. “As our brilliant museum colleagues navigate their recovery from the pandemic, with the added burden of the cost-of-living crisis, our support is needed as much as ever.”
We’ve just published our annual report for 2022/23.
Here’s a quick look at what we’ve been able to achieve in last year thanks to our 135,000 #NationalArtPass members + the trusts, foundations & donors who support our work.https://t.co/6LYQb5lXfJ pic.twitter.com/XzXTsyLjvU
— Art Fund (@artfund) June 21, 2023
Notably, more than half of last year’s £4.5 million acquisition grant budget was spent on one work of art: Sir Joshua Reynolds’s Portrait of Mai (1776). The historic painting, which depicts a young Tahitian man who sailed from his home country to England in 1774 with the British explorer James Cook, was jointly acquired this March by London’s National Portrait Gallery (NPG) and Los Angeles’s J. Paul Getty Museum, marking the first time that art institutions in the U.K. and U.S. have partnered on a single purchase.
The two museums each paid roughly half the artwork’s estimated £50 million ($62 million) price tag. Art Fund stepped up with a £2.5 million ($3 million) grant—the largest in its history—for the NPG to help bring the joint effort over the finish the line.
Other noteworthy pieces that Art Fund’s grants helped institutions acquire include Joseph Wright of Derby’s Self-Portrait at the Age of About Forty (c. 1772-73), which was purchased by the Derby Museum and Art Gallery; Jananne Al-Ani’s Timelines (2022), picked up by the Victoria and Albert Museum; and Array Collective’s The Druthaib’s Ball (2021), bought by the Ulster Museum. The latter work was featured in the group’s Turner Prize-winning exhibition in 2021.
“We are delighted that Art Fund has been able to support museums and advocate for the further significant investment they need,” Waldman added.