‘I’ve missed out on works simply by answering an email a little too late’: collector Beth Rudin DeWoody on the art she regrets not buying


More than arguably any other art collector in the region, Beth Rudin DeWoody has been instrumental in nurturing a collector community in Palm Beach, which has now become a necessary destination for blue-chip galleries and auction houses looking to establish footholds in the region through expansions and pop-ups. In 2017, DeWoody inaugurated her exhibition space, The Bunker, in the fashionable south Florida enclave; it now showcases key works from her collection of more than 10,000 pieces. In addition to opening a new hanging of her collection at The Bunker, curated by Thelma Golden, the director of Studio Museum in Harlem, and Brooklyn Museum director Anne Pasternak, DeWoody also serves on the advisory board for New Wave Art Wknd (until 4 December), an event showcasing Palm Beach’s galleries and private collections.

The Art Newspaper: What was the first work you bought?

Beth Rudin DeWoody: The first work I bought will actually be shown at The Bunker this year! As a high school student, I took a class with Benny Andrews at the New School. It was there that I was introduced to his work and purchased Genealogy (I am the Darker Brother) in 1969. Our 2022/23 guest curators, Anne Pasternak and Thelma Golden, will highlight this piece as the main entry point to their exhibition and the history of my collecting. I’m so excited to see what they have curated.

What was your most recent purchase?

I recently bought a beautiful Aurora Pellizzi from The Armory Show. Additionally, I bought a María Lucía “Lulu” Varona Borges embroidery. The work was created as a part of her recent residency with New Wave in West Palm Beach. Both will be on display at The Bunker as a part of this year’s new exhibitions, which are being unveiled during New Wave Art Wknd. Lulu is a true rising talent. Her work is also on view at the Whitney Museum of American Art in their exhibition no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria.

If your house was on fire, which work would you save?

This is like asking who’s your favourite child. It’s impossible to answer.

If money were no object, what would be your dream purchase?

For an Old Master, my dream purchase would be a Bronzino painting. For something Modern, I would say a Romare Bearden. There are so many works.

Which work do you regret not buying when you had the chance?

An incredible Bridget Riley drawing, a specific Ed Ruscha, a Shara Hughes large work, a George Condo—it goes on. There are plenty of works where I miss the opportunity simply because I answered my email just a little too late.

What is the most surprising place you have displayed a work?

At The Bunker, we really make use of the entire space, and I love playful placements. We have two hidden closets and our co-curators, Laura Dvorkin and Maynard Monrow, have also shown work atop a beam in the stairwell or this little nook by the bannister stairs. You have to look down at the floor to notice it.

Which artists, dead or alive, would you invite to your dream dinner party?

Leonardo da Vinci for sure. I was never able to meet Hannah Wilke and Eva Hesse before they passed. I would absolutely have them at my dinner party!

What’s the best collecting advice you’ve been given?

Look, look, look! Buy what you love.

Have you bought an NFT?

No. Art is best experienced in person. I hope that never goes away.


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