Designers Daishi Luo and Zhipeng Tan of Mán-Mán Studio have ensured the stability of otherwise impermanent objects, like delicate lotuses and the human spine. Manipulating copper and brass, the pair conceives of tall spinal chairs with pelvis seats and other stools and tables mimicking the tops of lotus pads. The duo told China Design Centre that their frequent use of copper is in part “because of the charm of the material. Copper is alive, its plasticity is very high, and it is not what we always see.”
Because Luo and Tan release limited editions of each structural piece, their projects work counter to larger productions. “This is an introspection behavior in the process of industry. After industrial mass production meets most of the needs of life, handicraft often represents the products of nature and culture. People begin to pursue the appeal of inner spirit instead of fast consumption,” they said.
To see more of the duo’s anatomical projects, head to Daishi’s and Zhipeng’s Instagram pages.
“The 33 Step Chair 0.1” (2015), copper, 21.6 x 23.6 x 43.3 inches, 40 kilograms
Left: “Lotus Stool” (2015), copper, 19.6 x 21.6 x 23.6 inches, 40 kilograms. Middle: “Lotus High Side Table” (2015), copper, 17.7 x 21. 6 x 47.2 inches, 40 kilograms. Right: “Lotus Console Table” (2016), brass, 78.7 x 27.5 x 31.5 inches, 100 kilograms
“Lotus Stool” (2015), copper, 19.6 x 21.6 x 23.6 inches, 40 kilograms
“33 Step Tail Chair” (2016), brass, 31.5 x 25.6 x 32.7 inches
“The 33 Step Chair 0.1” (2015), copper, 21.6 x 23.6 x 43.3 inches, 40 kilograms
Lotus Console Table” (2016), brass, 78.7 x 27.5 x 31.5 inches, 100 kilograms
